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关键词：荣耀六十年1938 SixtyGloriousYearsisanexerciseinthecreationoficonography bothforVictoriaanditsstar AnnaNea
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). (🎖) The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
《荣耀六十年1938》常见问题1、请问哪个平台可以免费在线观看《荣耀六十年1938》?
2025星空影院电影网网友：在线观看地址：http://www.shtyhj.com/play/20425-1-1.html
2、《荣耀六十年1938》哪些演员主演的？
网友：主演有Anna Neagle,Anton Walbrook,C. Aubrey Smi
3、《荣耀六十年1938》是什么时候上映/什么时候开播的？
网友：1938年，详细日期也可以去百度百科查询。
4、《荣耀六十年1938》如果播放卡顿怎么办？
百度贴吧网友：播放页面卡顿可以刷新网页或者更换播放源。
5、手机版免费在线点播《荣耀六十年1938》哪些网站还有资源？
6、《荣耀六十年1938》的评价：
Mtime时光网网友：比第一部好看，剧情不磨叽了，主要角色不拖后腿。第一次看到荣耀六十年1938直接就爱了。荣耀六十年1938剧情懂得扬长避短，让声音做主角。省去没人想看的废话，省去没人想看的感情戏，一切以场景为中心来设计，而每个场景又都以声音为中心，咋呼、轻响、寂静形成节奏，然后一秒钟不多待就出字幕。很少有音效师能感觉自己这么核心吧？
百度视频网友:电影前的回忆闪回让观众们完美过渡 没看过前作的朋友也毫无压力 相比第一部演员有所升级
豆瓣电影网友：《荣耀六十年1938》感太割裂了，一边频频被视觉设计上的创意惊艳到，一边又不知道导演在吃力地表达什么！首先要说明一点，抛开所有片外因素，这部片子我看得很爽。
荣耀六十年1938影片的精彩影评
我可以问你一个问题吗？深吸一口气(😓)，冷静(🥂)下来(🚇)的苏(🐺)凉，开口。